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Pioneering & Accessing Wildlife in Mountains

By June 11, 2014 27 Comments

Then beyond the bend my brother stopped again. Miss Elphinstone was white and pale, and her sister-in-law sat weeping, too wretched even to call upon “George.” My brother was horrified and perplexed. So soon as they had retreated he realised how urgent and unavoidable it was to attempt this crossing. He turned to Miss Elphinstone, suddenly resolute. We must go that way,” he said, and led the pony round again.

For the second time that day this girl proved her quality. To force their way into the torrent of people, my brother plunged into the traffic and held back a cab horse, while she drove the pony across its head. A waggon locked wheels for a moment and ripped a long splinter from the chaise. In another moment they were caught and swept forward by the stream. My brother, with the cabman’s whip marks red across his face and hands, scrambled into the chaise and took the reins from her. Point the revolver at the man behind,” he said, giving it to her, “if he presses us too hard. No!–point it at his horse.”

Then he began to look out for a chance of edging to the right across the road. But once in the stream he seemed to lose volition, to become a part of that dusty rout. They swept through Chipping Barnet with the torrent; they were nearly a mile beyond the centre of the town before they had fought across to the opposite side of the way. It was din and confusion indescribable; but in and beyond the town the road forks repeatedly, and this to some extent relieved the stress.

They struck eastward through Hadley, and there on either side of the road, and at another place farther on they came upon a great multitude of people drinking at the stream, some fighting to come at the water. And farther on, from a lull near East Barnet, they saw two trains running slowly one after the other without signal or order–trains swarming with people, with men even among the coals behind the engines–going northward along the Great Northern Railway. My brother supposes they must have filled outside London, for at that time the furious terror of the people had rendered the central termini impossible.

Near this place they halted for the rest of the afternoon, for the violence of the day had already utterly exhausted all three of them. They began to suffer the beginnings of hunger; the night was cold, and none of them dared to sleep. And in the evening many people came hurrying along the road nearby their stopping place, fleeing from unknown dangers before them, and going in the direction from which my brother had come.

Had the Martians aimed only at destruction, they might on Monday have annihilated the entire population of London, as it spread itself slowly through the home counties. Not only along the road through Barnet, but also through Edgware and Waltham Abbey, and along the roads eastward to Southend and Shoeburyness, and south of the Thames to Deal and Broadstairs, poured the same frantic rout. If one could have hung that June morning in a balloon in the blazing blue above London every northward and eastward road running out of the tangled maze of streets would have seemed stippled black with the streaming fugitives, each dot a human agony of terror and physical distress. I have set forth at length in the last chapter my brother’s account of the road through Chipping Barnet, in order that my readers may realise how that swarming of black dots appeared to one of those concerned. Never before in the history of the world had such a mass of human beings moved and suffered together. The legendary hosts of Goths and Huns, the hugest armies Asia has ever seen, would have been but a drop in that current. And this was no disciplined march; it was a stampede–a stampede gigantic and terrible–without order and without a goal, six million people unarmed and unprovisioned, driving headlong. It was the beginning of the rout of civilisation, of the massacre of mankind.

And beyond, over the blue hills that rise southward of the river, the glittering Martians went to and fro, calmly and methodically spreading their poison cloud over this patch of country and then over that, laying it again with their steam jets when it had served its purpose, and taking possession of the conquered country. They do not seem to have aimed at extermination so much as at complete demoralisation and the destruction of any opposition. They exploded any stores of powder they came upon, cut every telegraph, and wrecked the railways here and there. They were hamstringing mankind. They seemed in no hurry to extend the field of their operations, and did not come beyond the central part of London all that day. It is possible that a very considerable number of people in London stuck to their houses through Monday morning. Certain it is that many died at home suffocated by the Black Smoke.

27 Comments

  • What an inspiring story! This post perfectly highlights how determination, consistency, and confidence can shine through when it matters most. Seeing someone prove their quality not just once, but twice in a single day, is truly motivating and leaves a lasting impression.

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  • What a thrilling and vivid recount of survival! The raw tension and desperation in this mountain passage are truly palpable. For anyone seeking thrilling adventures, combining such wild terrains with the exclusive comfort of Kolkata Escorts Service offers an unforgettable and secure exploration experience.

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  • Well-written and insightful post! Your explanation was clear, accurate, and easy to understand. I thoroughly enjoyed reading it and look forward to more valuable content from you.

  • emaki says:

    ミス・エルフィンストーンが青ざめ、義姉が泣いている場面から、山中の渡渉がどれほど切迫した状況だったのか伝わってきました。それでも彼女が二度目の挑戦で見せた強さと、兄がポニーを導いて進む決断に心を動かされます。

  • topviewai says:

    The scene with Miss Elphinstone turning pale while her sister-in-law weeps makes the mountain crossing feel genuinely dangerous, not merely difficult. I was especially struck by how quickly Miss Elphinstone proves her courage when her brother leads the pony back toward the unavoidable crossing.

  • veida says:

    The scene at the bend captures how quickly a mountain journey can turn from difficult to genuinely dangerous, especially with Miss Elphinstone and her sister-in-law overwhelmed. I was struck by the contrast between their fear and Miss Elphinstone’s determination when the crossing became unavoidable.

  • emaki says:

    ミス・エルフィンストーンが青ざめ、義姉が泣いている場面から、山中での越境がどれほど切迫したものだったか伝わってきました。それでも彼女が再び道を進む決意を見せる描写に、険しい自然の中で発揮される人の強さを感じます。

  • topviewai says:

    The scene where Miss Elphinstone is pale and her sister-in-law is weeping makes the mountain crossing feel genuinely perilous, not merely adventurous. I was especially struck by Miss Elphinstone’s courage when her brother turns the pony around and she proves her quality for the second time that day.

  • bigjpgai says:

    The moment beyond the bend, with Miss Elphinstone pale and the pony being led back toward the crossing, really captures how mountain travel can turn from scenic to urgent in seconds. I liked how her courage is shown through action rather than explanation.

  • emaki says:

    曲がり角の先で兄が立ち止まり、青ざめたミス・エルフィンストンを前にしてなお渡河を決断する場面が印象的でした。山での移動や野生環境への接近は、勇気だけでなく引き返せない判断の重さも伴うのだと感じます。

  • veida says:

    The moment where the brother turns the pony around after seeing Miss Elphinstone so shaken really captures how mountain travel can become a moral decision, not just a physical challenge. I liked how the excerpt makes “accessing wildlife” feel tied to risk, judgment, and the pressure of terrain.

  • topviewai says:

    The moment where Miss Elphinstone is pale and weeping, yet still follows the brother back toward the crossing, really captures how mountain travel can turn from exploration into necessity. I liked how the pony and the bend in the path make the danger feel immediate rather than abstract.

  • bigjpgai says:

    The moment where Miss Elphinstone is pale and weeping, yet still follows when the brother insists “We must go that way,” really captures the fear of mountain travel. I liked how the pony and the repeated crossing attempt make the scene feel tense and practical rather than romanticized.

  • emaki says:

    曲がり角の先で兄が立ち止まり、ミス・エルフィンストンたちが泣き崩れる場面は、山中での判断の重さがよく出ていますね。危険でも「そこを渡るしかない」と決める瞬間に、開拓や野生の地へ踏み込む怖さと覚悟が重なって感じられました。

  • topviewai says:

    The moment where Miss Elphinstone is pale and weeping, yet still has to face the crossing, really captures how mountain travel can turn from scenic to urgent in an instant. I liked how the pony and the bend in the road make the danger feel practical rather than abstract.

  • veida says:

    The moment where the brother realizes the crossing is unavoidable really captures how mountain travel can turn from scenic to urgent in seconds. Miss Elphinstone being “white and pale” but still proving her courage makes the scene feel tense and human rather than just adventurous.

  • viewmaxai says:

    The moment where the brother turns back to Miss Elphinstone and insists they must try the crossing really captures the pressure of mountain travel. I liked how the pony, the bend, and her quiet resolve make the danger feel immediate rather than abstract.

  • The moment after the bend, with Miss Elphinstone pale and the pony being led back toward the crossing, really captures how mountain travel can turn from scenic to urgent. I also liked the phrase “proved her quality” because it says so much about courage without overexplaining it.

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